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McKNIGHT CHURCH OF CHRIST
AV EQUIPMENT

Auditorium Lighting

History and technical documentation for McKnight's auditorium lighting modernization—from the original analog controls to Crestron automation and dedicated LED stage lighting.

Crestron-based control7 dedicated LED stage fixturesCurrent installation photographed Sept. 29, 2026
McKnight AV control area with Crestron equipment rack
1970sera of original analog lighting controls
7dedicated 250 W LED stage fixtures
5 + 2variable-white + RGBWW fixtures
$30,1912022 contracted project total before later change-order work

Current control system

The auditorium's original lighting circuit groupings were retained, but the old operator interface was replaced with a programmable Crestron control layer. Operators now use a Crestron touchscreen and wall control instead of remembering numbered rotary-dial positions.

Main processorCrestron CP4 4-Series control system specified for the permanent installation
2023 temporary stateA used Crestron CP3 was documented while the CP4 was backordered; the surviving project archive does not identify the final swap date.
User interfaceCrestron 7-inch color touch screen
Wall controlCrestron Cameo keypad / wall controller
Remote relays3 × Crestron CEN-IO-RY-104 Ethernet relay modules (specified)
Relay panelsCustom 12-relay and 8-relay lighting control panels
Stage-light DMX gatewayENTTEC 71020 DIN-ODE Mk2 Ethernet-to-DMX gateway

How the control path works

Touchscreen / wall controller→Crestron processor→Ethernet relay modules→House-light circuits
Crestron stage-light scene→ENTTEC DIN-ODE Mk2→5-pin DMX→7 stage fixtures

The modernization simplified volunteer operation by converting the old dial-based scheme into programmed scenes and clearly labeled controls while retaining the existing house-light circuit structure.

Crestron Lighting Control & Automation Rack

The equipment in the auditorium control cabinet is the control layer for McKnight's lighting system. It does not directly carry the full electrical load for the house or stage lights. Instead, it receives commands from the Crestron touchscreen and wall controls, runs the programmed lighting logic, and then sends low-voltage control signals to downstream lighting-control equipment.

Crestron CP4 4-Series Control ProcessorThe main system controller, effectively the "brain" of the lighting automation. It runs the Crestron program, receives commands from the touchscreen and wall keypad, and determines which lighting scene or control action should occur.
3 × Crestron CEN-IO-RY-104Networked four-relay interface modules. Together they provide up to 12 isolated low-voltage relay outputs. These dry-contact closures can command contactors, dimming interfaces or other third-party lighting equipment. They are control interfaces, not the devices that directly switch the auditorium's high-current lighting loads.
NETGEAR GS305P Ethernet / PoE switchProvides local Ethernet connectivity and PoE power for networked control devices in the cabinet, including the Crestron relay modules.
Relay / dimmer equipment elsewhereThe actual high-voltage switching and dimming for the auditorium lights is performed downstream by separate relay panels, contactors, dimmers or other lighting-control interfaces. Those components should be traced and documented separately.

Why this equipment is needed

Without this control layer, volunteers would have to operate individual lighting circuits or dimmers manually. The Crestron system lets McKnight use simple, repeatable controls such as Worship, House Lights, Stage, All On or other programmed scenes. One button can therefore cause several lighting zones to change together in a predictable way.

Touchscreen / wall controls→Crestron CP4→Ethernet / PoE→CEN-IO-RY relay modules→Lighting contactors / dimmers / interfaces→Auditorium lights

The relay modules provide only low-voltage control contacts. Their job is analogous to pressing remote buttons for the lighting equipment; they are not intended to power the auditorium fixtures themselves.

What still needs to be traced

The photographs establish the control hardware, and Diagram 1 below identifies the existing independently switched house-light groups. What is still missing is the exact mapping between those named groups and the available Crestron relay outputs. A future documentation pass should trace the relay wiring or review the Crestron program so each relay output can be matched confidently to R1–R9 and to any additional lighting functions.

Auditorium lighting diagrams

The 2022 project files include two useful auditorium diagrams. Diagram 1 documents the existing house-light switching pattern that McKnight wanted preserved in the new Crestron system. Diagram 2 illustrates the general concept for placement and aiming of the new stage-light fixtures; the proposal notes that final locations and coverage were to be determined during installation.

Open original auditorium-lighting diagram PDF   Open 2022 executed lighting proposal / source document

R1-R2Paired end-area fixture groups shown on Diagram 1.
R3-R8Six independently identified rows/bands of house-light fixtures spanning the auditorium.
R9Separate side-area lighting group shown in red on Diagram 1.
L1-L7Legacy/local labels retained on the drawing. Their precise present-day relationship to Crestron relay-output numbers should be verified from the wiring or program before relabeling.

The operational concept is therefore:

Touchscreen scene→Crestron CP4 logic→Selected relay outputs→Independent house-light groups→Desired auditorium scene

Important: Diagram 1 confirms the independently switched lighting pattern, but it does not prove that Crestron relay output 1 maps directly to R1, output 2 to R2, etc. That mapping should be documented only after checking the relay wiring or Crestron program.

Dedicated stage fixtures

Variable-white fixtures5 × Mega Systems 7060-VW2 DRAMA PROFILE LED VW2, 250 W, tunable white 2700–6500 K, CRI 97
Color fixtures2 × Mega Systems 7060-Q2W DRAMA PROFILE LED Q2W, 250 W RGBWW
Lens package1 × 19°, 2 × 26°, 4 × 36° lenses
Mounting conceptInstalled in existing recessed front/stage alcove locations and aimed at the platform
PurposeHigh-quality face lighting for worship and livestream video, with two RGBWW fixtures available for color accents.

The stage-lighting upgrade was driven in part by livestream needs: the previous stage illumination did not provide enough consistent light on faces and supplemental floor lamps were sometimes used.

Current installation photographs

Project history

  1. 2021: McKnight documented the outdated analog controls and poor stage illumination and requested a modernization proposal.
  2. March 23, 2022: the executed project agreement specified a Crestron-based house-light system and seven Mega Systems DRAMA PROFILE LED fixtures.
  3. 2022 installation: house and stage lighting were integrated under a common control approach; additional electrical work supported the new stage fixtures.
  4. April 2023: project documentation still showed temporary Crestron hardware while final components were pending.
  5. Sept. 29, 2026: current touchscreen, wall control, equipment rack and cabinet condition were photographed for this site.

Cost history

House lighting

$9,855

2022 proposal including equipment, installation, programming and estimated electrical work.

Stage lighting

$20,336

Seven fixtures, lenses, DMX gateway, installation, programming and estimated electrical work.

Contract total

$30,191

Executed 2022 project total before later electrical change-order work. Historical reconciliation records should remain archived with the project files.

Preserve the existing source-document links on the current server. This replacement page adds the 2026 current-state photography. If the existing lighting page contains links to the 2021 background, 2022 agreement, 2023 open-items notes, Elite follow-up and cost spreadsheet, keep those files in place.